• 
• 
• 
• 
• 
• 
• 
|
NYC 1993: Experimental, Jet Set, Trash and No Star “Girls” and “Boys” were first exhibited in “Coming to Power: 25 Years of Sexually X-plicit Art by Women,” an exhibition co-curated by Cronin and fellow artist Ellen Cantor at David Zwirner in 1993. Cronin and Cantor were interested in images that expressed a fuller idea of female sexuality than those dominating culture and society at the time, which mainly consisted of objectified images of women and were often produced by men. The work presented in “Coming to Power” included painting, sculpture, photography, and performance by women of different generations, ethnicities, and sexual orientation, tracing a history of potent sexual art by women for women. |
“Girls” and “Boys” capture the sexual act from the perspective of the participants, a point of view from within the erotic space rather than from an objective place of observation. Cronin’s Polaroids incorporate transgressive elements such as bondage props as well as images of cultural and political figures such as Madonna and George H. W. Bush. Cronin had also been making erotic watercolors at the time that depicted the artist and her partner, in extreme close-up and larger-than-life scale, in a range of intimate acts, both tender and highly sexual. In contradiction to much of the lesbian pornography in circulation (made by straight men for straight men), Cronin’s images give agency to the sexualized female as cultural and visual producer, speaking to larger questions regarding queer, lesbian, or feminist positions within society. | |||
|
|
 |
 |
|
|
